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It's not without its charms, and it probably does hit (hit is too strong, gently tap would be more apposite) on some basic truths about human nature, but ultimately Ishii's self-consciously wacky approach to direction left me feeling more irritated than heart-warmed. There's the zany grandpa with his preposterous barnet and bushy unibrow, the zany young girl, Sachiko, with her giant doppleganger (a sort of metaphorical guardian spirit perhaps), the zany boy, Hajime, and his awkward forays into romance. Maybe it's just the cynic me, but there's only so much good-natued zaniness I can take in one film.
茶の味
Dir. Katsuhito Ishii, 2004
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